A female Starfleet officer is killed in an accident
and her child, overcome with grief, bonds with a holographic recreation of his
mother rather than accept her death.
I sent a short description of the story to Rick and Gene. Minutes later, I
was called to an urgent meeting in Gene’s office. “This doesn’t work” he said.
“In the Twenty-Fourth Century, no one grieves. Death is accepted as part of life.”
As I shared the dilemma with the other staff writers, they took a bit of
pleasure from my loss of virginity, all of them having already been badly bruised
by rejections from Gene. Roddenberry was adamant that Twenty-Fourth Century
man would evolve past the petty emotional turmoil that gets in the way of our
happiness today. Well, as any writer will tell you, ‘emotional turmoil’, petty and
otherwise, is at the core of any good drama. It creates conflict between THE WRITING OF STAR TREK: INSURRECTION 15.
characters. But Gene didn’t want conflict between our characters. “All the
problems of mankind have been solved,” he said. “Earth is a paradise.”
Now, go write drama.